Michel Nedjar

Michel Nedjar

Biography: Master of Art Brut, Michel Nedjar was born in 1947 in the Val d'Oise to a Jewish family marked by war and the holocaust. His father, born in Algiers, settled in Paris in 1921 as a tailor. At home, he tinkered on a sewing machine doll clothes for his sisters. During the Second World War, a large part of his family fell victim to Nazi oppression. In 1960, he became aware of the magnitude of the Holocaust. At the age of fourteen, he enrolled in a vocational school to become a tailor and sells jeans with his flea grandfather from Saint-Ouen and accompanies his grandmother to the scrap fair; she makes him share his love for Shmattès (the worn cloth) that she picks up and stacks. In the spring of 1967, he left for military service. With tuberculosis and declared disabled in 1968, he spent a few months in a school of fashion stylist. He is upset by the vision of 'Night and Fog' by Alain Resnais, echoing his own disappearances in his family. In the years 1970-1975, he left with Teo Hernandez. His travels take him to Morocco, Asia Minor, Europe and Mexico. He discovers cultures rich in symbolic expressions. He begins to take an interest in the funeral art and the dolls whose magic function fascinates him. Returning to Paris in 1976, he began making his first dolls called "Chairdâmes" with rags that he gleaned in the neighborhood of the Goutte d'Or, then made dolls dyed. In 1978, a period of depression transformed his style: his dolls look like gargoyles and terrifying totems, they are sometimes soiled with dirt and even blood. It was in 1980 that he began to draw with grease pencils on recovered flea media. He made his first films in 8 mm from 1964 during his holidays in Greece or the Balearic Islands. Like Lionel Soukaz, he is one of the first French experimental filmmakers to address the theme of homosexuality (Le gant de l'autre, 1977). His practice will evolve towards a more formal exploration of the characteristics of cinema: luminous calligraphies (Gestuel, 1978), grain of the film (Le grain de la peau, 1986); either to direct cinema (Monsieur Loulou, 1980). These research finds their paroxysm in Capitale-paysage (1982-83), mixing snatches of conversations, work of concrete sound and rhythm, and kaleidoscopic effects.

Place of Birth: Not available

Birthday: October 12, 1947

Deathday: N/A

Popularity:

0.028

Known For

Madrid, Quelques Images
Madrid, Quelques Images

1991-04-08

Robillard André, Nedjar Michel
Robillard André, Nedjar Michel

1986-04-06

Cinématon
Cinématon

1978-12-20

Cristo
Cristo

1977-08-30

Michel Nedjar
Michel Nedjar

1978-01-01

Dolls of Darkness: The Art of Michel Nedjar
Dolls of Darkness: The Art of Michel Nedjar

2016-06-06

Michel Over There
Michel Over There

1970-04-01

Lacrima Christi
Lacrima Christi

1980-04-19

Graal
Graal

1980-07-25

Cristaux
Cristaux

1978-12-22

4 à 4 Métro-Barbès-Rochechou-Art
4 à 4 Métro-Barbès-Rochechou-Art

1983-03-16

Salomé
Salomé

1976-01-01

Esmeralda
Esmeralda

1977-12-31

Pause
Pause

1970-07-01

Hors-jeu
Hors-jeu

1979-01-01

Souvenirs/Rouen
Souvenirs/Rouen

1983-06-08

Mesures de miel et de lait sauvage
Mesures de miel et de lait sauvage

1984-01-01

Fragments
Fragments

1987-01-28

Bouquet of Eyes
Bouquet of Eyes

1983-12-31

Sur Graal de T.H.
Sur Graal de T.H.

1981-02-17

Sara
Sara

1981-01-01

Le chant de l'âme
Le chant de l'âme

1989-01-01

Chutes de Pascal
Chutes de Pascal

1981-01-01

Chutes de Michel Nedjar
Chutes de Michel Nedjar

1984-12-31

J'aime
J'aime

1978-01-01

Cinématon III
Cinématon III

1978-10-18

Cinématon n°27 : Michel Nedjar
Cinématon n°27 : Michel Nedjar

1978-10-19

Portraits / Mirrors
Portraits / Mirrors

1984-01-01