Overview: A man from a respectable and rich family is fascinated by a derelict woman. He intends to marry her, and despite his family’s disagreement, he does it. But the former lover of the girl remains intrusive, until she kills him to defend herself. She becomes imprisoned, but after being released from the prison, the family of her husband finally accept her.
Overview: A fine example of the female-led melodramas of the 1950s that revived Iranian cinema after a long hiatus during WWII, The Last Night follows Monir, a happily married woman who gets blackmailed by her former lover and must rely on an actress to clear her name. There’s a striking sense of 1950s Iranian cosmopolitanism, especially when the camera leaves the studio and ventures into the streets of Tehran or the ski resorts in the north of the city.