Overview: MAINSTREETERS: Taking Advantage, 1972-1982 surveys the history of a gang of Vancouver artists who lived and worked together in drama, excess, friendship and grief. From 1972 until roughly 1982, they lived along Main Street, the traditional dividing line between the city's working-class immigrant eastside and its more affluent westside. Core members––Kenneth Fletcher, Deborah Fong, Carol Hackett, Marlene MacGregor, Annastacia McDonald, Charles Rea, Jeanette Reinhardt and Paul Wong––engaged in ambitious collaborative media and performance work that charts the rapidly shifting social terrain of the city.

Genres: Documentary

Overview: A visual/aural non-linear narrative. A layering of ideas, facts, opinions, prejudices, fears, and styles. The story is based upon the innuendoes and interrelationships of four main characters – Gary, Gina, Jeanette and Paul. Distinct video forms are used to build the narrative and to handle the complex range of information and technical styles. The video’s intent is to develop a broader understanding and tolerance by its viewers towards a new sexual attitude.

Genres: No genres available

Overview: Early colour video recorded on ½ in. Part of The Mainstreet Tapes (1976-1980) a series of autobiographic tapes documenting Wong & friends “youth & angst”. 7 day Activity – 7 days of facial treatments for acne. Mirror, mirror on the wall, who is the vainest of them all. 1970′s body/art. Digitally Re-Mastered & Re-Edited in 2008, the process of restoring the picture & sound elements included shortening the work from the original length of 13 minutes to 8.5 minutes.

Genres: No genres available

Overview: ’4′ originated as a collaborative performance by Deborah Fong, Carol Hackett, Annastacia McDonald and Jeanette Reinhardt as the S.S. Girls, following events and activities of the women’s daily lives on Main Street. The performance was produced by Paul Wong and co-sponsored by the Video Inn. ’4′ explores the lives and personalities of four women as described by one another in the style of a feuding dysfunctional family. ’4′ was developed as a multimedia performance, first staged at Western Front in 1980, then followed by a tour across Canada and into the USA. The scripted multimedia presentations were later adapted to a video work.

Genres: No genres available