Overview: A Javanese mother has to struggle to lead their children against a complex confusion of their age. Unfortunately, the mother realized that actually, her children are trying to lead her too.

Genres: Drama

Overview: Returning from Mecca, Darwis changes his name to Ahmad Dahlan as he is disturbed by the trend of Islamic laws in his society; that borders on heresy, Syrik (polytheism), and Bid’ah (wrong innovation). Using a compass, he proves that the direction of Qibla (that points to Mecca), in the Great Mosque of Kauman is wrong. The discovery angers every Kyai (Islamic experts), especially the head of the Great Mosque of Kauman, Kyai Penghulu Cholil Kamaludiningrat. Dahlan, who studied in Mecca for five years, is seen as a rebel upstart. Since the proposal of changing the direction of Qibla is rejected, Dahlan starts a movement calling for the change. On his first sermon as a preacher, Dahlan criticizes the habits of residents in his village in Yogyakarta: "In a prayer, only a sincere and patient heart is needed, it requires no Kyais, money, let alone offerings". As a result, Dahlan gets a hostile reception.

Genres: Drama History

Overview: The sequel of Kejarlah Daku Kau Kutangkap (1986), tells Markum and Marni whose now have a teenage daughter while Ramadan and Ramona have a son. After years of marriage, Markum and Marni, still strive for harmony.

Genres: Drama Comedy

Overview: Slamet, a reporter, begins a relationship with Wulandari, a dancer and painter. But Wulan’s mother does not approve of their relationship. Slamet, who is naïve, energetic, and comes from the village, then meets Donna, a Manado girl who has a free attitude, at a street-side restaurant in Malioboro. Donna is interested in Slamet, causing Slamet to become indecisive. Wulan happens to see Donna and Slamet together, and starts to trail him. Then Donna feels cheated when she sees Slamet’s clothes at Wulan’s house. Later, a misfortune happens to Slamet when he is hit by a motorcycle and is hospitalised. Then Slamet returns to Wulan with Donna’s encouragement. The film is also a commentary about the changing social values in Yogyakarta: such as the intimate acts between Wulan and Slamet in Wulan’s room; the boarding house that has more relaxed rules than usual; and the busy street of Malioboro.

Genres: Comedy