Overview: In the depths of the Rhine, the three Rhinemaidens guard the Rhinegold, a treasure of immeasurable value. The Nibelung dwarf Alberich is dazzled by the sight of it. The girls explain that whoever wins the gold and forges it into a ring will gain power over the world, but must first renounce love. Frustrated by his unsuccessful attempts to catch one of the girls, Alberich curses love and steals the gold. Wotan, lord of the gods, is reproached by his wife Fricka: he has promised to give Freia, goddess of youth, to the giants Fasolt and Fafner in return for their building a fortress for the gods. When the giants demand their reward, Loge, the god of fire, suggests an alternative payment: the ring Alberich has forged from the Rhinegold, and his other treasures. The giants agree, and Wotan and Loge leave for the Nibelungs’ underground home.
Overview: Ring Cycle, pt 4. Siegfried is drugged and tricked into kidnapping his wife, since she has the Ring now. More double-crossings, Siegfried ends up dead. Brunnhilde has had enough of this, tosses the Ring into the river and torches the place.
Overview: Soprano Christine Goerke plays Brünnhilde, Wotan’s willful warrior daughter, who loses her immortality in opera’s most famous act of filial defiance. In this Live in HD transmission of Die Walküre, the second and most popular installment in the composer’s sweeping tetralogy, Goerke is joined by bass-baritone Greer Grimsley as Brünnhilde godly father, Wotan, and mezzo-soprano Jamie Barton as his unbending wife, Fricka. As the incestuous lovers Siegmund and Sieglinde, soprano Eva-Maria Westbroek and tenor Stuart Skelton—alongside bass Günther Groissböck as Sieglinde’s bloodthirsty husband, Hunding—round out the principal cast. And on the podium, Maestro Philippe Jordan conducts Robert Lepage’s innovative staging, which uses state-of-the-art stage technology to tell Wagner’s mythic tale.
Overview: Tamino, a handsome prince, and Papageno, a bird-catcher, are sent by the Queen of Night to rescue her daughter Pamina from captivity under the high priest Sarastro. Julie Taymor's abridged, English-language production of the classic Mozart opera.
