Overview: The film does not describe, rather it observes, in a distant manner, the world of Martin, a seventeen year old who feels he doesn’t belong anywhere, not at home, school, nor with his friends or members of his rock band. In search of some happiness, Martin takes off to the coastal town of Mar de Plata, where his older brother lives. Unglamorous, yet enchantingly addictive and refreshingly genuine, Acuña paints a confused and uncomfortable world, and makes us want revisit it over and over again.
Overview: A filmmaker meets her ex-boyfriend, who plays a role in her new film, in which the authenticity or falsity of a kiss in a gay scene is debated, with backstage included. Metacine or metagay? Gay cinema within cinema or cinema within gay cinema, variations of a daedalus of representations. "The current boyfriend" feeds on lateral humor, on the political of desire as a talk in the kitchen, on the flicker-free observation of who we are and what we pretend to be, as a nucleus that is reinterpreted with always different gestures, once as drama and another like comedy, almost without knowing which is appropriate.
Overview: Nicolás Barsoff, a young Argentine actor of Austrian and Russian descent, rescues a box of film reels just as his father was about to throw it away. He hopes the box will be the key to unlocking a tendency toward darkness that haunts him as part of an inevitable inheritance he tries to combat with natural medicines. Through the archive, we delve into the story of a family torn apart by World Wars I and II, immigration to Argentina, and the military dictatorship of 1976. His two grandparents are presented as antagonistic characters in the context of the disappearance: two ghostly figures in a genealogy that Nicolás will try to reconstruct.
