William Friedkin

Also Known As: 윌리엄 프리드킨, 윌리암 프리드킨

Biography: William David Friedkin (August 29, 1935 – August 7, 2023) was an American film, television and opera director, producer, and screenwriter who was closely identified with the "New Hollywood" movement of the 1970s. Beginning his career in documentaries in the early 1960s, he is best known for his crime thriller film The French Connection (1971), which won five Academy Awards, including Best Picture and Best Director, and the horror film The Exorcist (1973), which earned him another Academy Award nomination for Best Director. Friedkin's other films in the 1970s and 1980s include the drama The Boys in the Band (1970), considered a milestone of queer cinema; the originally deprecated, now lauded thriller Sorcerer (1977); the crime comedy drama The Brink's Job (1978); the controversial thriller Cruising (1980); and the neo-noir thriller To Live and Die in L.A. (1985). Although Friedkin's works suffered an overall commercial and critical decline in the late 1980s, his last three feature films, all based on plays, were positively received by critics: the psychological horror film Bug (2006), the crime film Killer Joe (2011), and the legal drama film The Caine Mutiny Court-Martial (2023), released two months after his death. He also worked extensively as an opera director from 1998 until his death, and directed various television films and series episodes for television. Description above from the Wikipedia article William Friedkin, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Department: Directing

Place of Birth: Chicago, Illinois, USA

Birthday: August 29, 1935

Deathday: August 07, 2023

Adult: No

Gender: Male

Popularity:

2.97%

Known For:

Raising Hell: Filming the Exorcist
The Masterpiece That Almost Wasn't
Tatort Oper - Wie Filmemacher Oper machen
Shadows in the Dark: The Val Lewton Legacy
Pure Cinema: Through the Eyes of Hitchcock
Breaking Barriers: The Sound of Hitchcock
The Fear of God: 25 Years of The Exorcist
A Little Solitaire
Miller's Tale
Fear and Love: The Story of The Exorcist
Anatomy of a Chase
Great Bolshy Yarblockos!: Making 'A Clockwork Orange'
Tales from the Warner Bros. Lot
The Exorcist Locations: Georgetown Then and Now
Conversation with Fritz Lang
The Making of the Wonderful Wizard of Oz
Filming “The Hunted”
Pursuing “The Hunted”
The Cutting Edge
Fasten Your Seatbelt: The Thrilling Art of Alfred Hitchcock
The Exorcist Untold
Casablanca: An Unlikely Classic
Making the Connection: Untold Stories of The French Connection
The Visions of Stanley Kubrick
View from the Overlook: Crafting 'The Shining'
Magician: The Astonishing Life and Work of Orson Welles
Stanley Kubrick in Focus
Peter Lorre : Derrière le masque du maudit
Fear in the Dark
The Master's Touch: Hitchcock's Signature Style
North by Northwest: One for the Ages
A Fuller Life
A Decade Under the Influence
The History of 'Cruising'
Exorcising 'Cruising'
In the Master's Shadow: Hitchcock's Legacy
Making the Boys
Billy Wilder: The Human Comedy
The Devil and Father Amorth
Michael Curtiz: The Greatest Director You Never Heard Of
Counterfeit World: Making 'To Live and Die in L.A.'
Friedkin Uncut
Putting it Together: The Making of the Broadway Album
Algren
Vision of a Future Passed: The Prophecy of 2001
Victor Fleming: Master Craftsman
Sorcerers: A Conversation with William Friedkin and Nicolas Winding Refn
Leap of Faith: William Friedkin on The Exorcist
Henri Langlois vu par...
Godard Made in USA
Fellini of the Spirits
Howard Hawks: American Artist
Hollywood Halloween
Return to the Genre
The Man Who Shot Chinatown: The Life and Work of John A. Alonzo
Don't Say No Until I Finish Talking: The Story of Richard D. Zanuck
I Am Alfred Hitchcock
The Poughkeepsie Shuffle: Tracing 'The French Connection'
Shadows of Suspense
The Lost Print: The Making of Orson Welles’ The Magnificent Ambersons