Overview: Maria and Mykola are ordinary students who love adventures. From experienced diggers, Mykola learned about the bunker, in which no one was. In the pursuit of popularity and fame, Mykola and Maria went there, ignoring warnings about the danger that could await them there.
Overview: We meet 16-year-old Fedot as he strangles himself with a string, standing in front of a mirror. The doorbell rings. Two girlfriends come to visit him. Kiri is 16, she is sexy and cheeky. Dini is 14, she is melancholic and cannot speak after a psychological trauma. Teenagers drink Papa Carlo cocktail. Fedot's mother, who recently moved to Kyiv with her lover, is calling via Skype. She does not know that Batik (Fedot's father) went to the store forty days ago and disappeared.
Overview: Tonya is the new girl at school. Dealing with her sexuality, as well as past abuse, she is learning to accept loneliness while trying to find her place in the adult world.
Overview: Mykola is an eccentric pacifist who wants to be useful to humanity. When the war begins at Donbass, Mykola’s naive world is collapsing as the militants kill his pregnant wife and burn his home to the ground. Recovered, he makes a cardinal decision and gets enlisted in a sniper company. Having met his wife’s killers, he emotionally breaks down and arranges “sniper terror” for the enemy. He’s saved from a senseless death by his instructor who himself gets mortally wounded. The death of a friend leaves a “scar” and Mykola is ready to sacrifice his life.
Overview: The architecton is a suprematist architectural model. The first architectural models of this kind and the term itself appeared in 1925 - their author was Kazymyr Malevych. He believed that in the near future they could be used in the space industry as the basis for plans for space stations where people would live, as well as landing pads for such stations.
Overview: Twenty three year old virtuoso pianist Jennifer Rogiers has been living with a terrible secret most of her life. When she enters the world famous Queen Elisabeth competition the memory of a traumatic childhood experience surfaces again.
