Overview: The submitted footage, taken in a cursed ruin, shows a creepy altar, a "red woman" covered in blood, and the crying of a baby that is nowhere to be seen. The "Too Scary!" team of rough producer Kudo, director Ichikawa, and cameraman Tashiro have reunited. They will now transcend time and space to solve the mystery!
Overview: It is impossible to comprehensively map the ultimate extent of the damage wrought by the waves of the corona pandemic in all the layers of the society. It does not, however, require a lot of guesswork to see the links between the steeply increased numbers of corona patients, domestic violence cases and OnlyFans users.
Overview: Aoi has dropped out of high school and gives birth to a baby son with her husband Masaya. They live in Okinawa, the Southern island of Japan where they were both born. To make ends meet, she starts working as a night-club hostess. Masaya loses his job and cannot deal with the family’s responsibilities. Their immaturity and dependence aggravate the relationship and continuous fights lead to a social downfall. Aoi’s bond with her son sets her on a path to find solutions.
Overview: Volume 2 of "Koji Shiraishi's Never Send Me, Please" with brand new footage added, not present in the theatrical version! After Koji Shiraishi watches a horrifying VHS tape, a mysterious woman calling herself 'Karame' calls him. Telling Shiraishi to "investigate Keisuke immediately". In addition, Karame sends Shiraishi a video clip showing Keisuke and Yuki entering Keisuke's room without permission and being filmed in secret. This incident prompts Shiraishi to start his own investigation.
Overview: A young man wanders and makes calls to elders who live alone. Saying “Granny, it’s me,” he lies to them that he is their grandson. An old lady, who runs a music shop in the declining shopping area in Amakusa, answers his call and warmly accepts him. Pretending as her grandson, he settles down in the town. He gets used to his friendship with young villagers, the sound and landscape of Amakusa, and the old lady’s everyday life.
