Overview: A man and woman meet during the identification of their spouses' dead bodies, following a car accident. It turns out that the they had an affair with each other. Feelings like jealousy, shame, wrath that struck them at the beginning, leave their place to understanding. The man and the woman start seeing each other. First, they hesitate to start an affair, yet later they cannot control their feelings. They unite in a love affair, not caring about the values and judgments of the people around them.
Overview: In this deeply symbolic and visually lush film, as far as Tashbash is concerned, he's just a malcontent, a fairly ordinary hell-raiser who has gotten into trouble with the law in the past. Sure, he hates the village headman who is a toady to the region's oppressive landlord, and he dislikes the fact that everyone looks to the headman for help because they have no place else to turn, but he's just an ordinary guy and has no solutions for his fellow villagers. However, after one of them has a vision in which Tashbash is shown to be a manifestation of one of their more important local saints, the villagers unite as one in seeking him out for help with the upcoming visit of the landlord to collect rents which they can't pay. Their adulation and reverence is so persistent that eventually even Tashbash becomes a believer.