Marianne Hoppe

Also Known As: not available

Biography: Born in Rostock, Hoppe became a leading lady of stage and films in Germany. She was born into a wealthy landowning family and was initially privately educated on her father's private estate. Later she attended school in Berlin and in Weimar, where she began to attend theatre.[1] Hoppe first performed at 17 as a member of Berlin's Deutsches Theater under director Max Reinhardt. In 1935 she was hired by the controversial German actor and Director of the Prussian State Theatre under the Third Reich, Gustav Gründgens. They were married from 1936-46, until their divorce. Speaking years after the marriage had ended Hoppe stated, "He was my love, but never my great love, that was work."[1] One of the characters in the film Mephisto was reportedly based on her. Hoppe made no secret of her contacts with the Nazi elite in the 1930s/40s, including being invited to dinner by Hitler.[2] Her role in Der Schimmelreiter (The Rider of the White Horse, 1934) made her famous almost overnight, while her "Aryan" face made her a darling of the Nazi elite.[1] Later Hoppe would label this period of her life as "the black page in my golden book".[1] During her time acting at the home of the Prussian State Theatre, the Schauspielhaus, Hoppe developed her analytical approach to acting, which she stated consisted in her "taking apart every sentence" and giving the use of language a brilliance. This method was to be associated with Hoppe throughout her working life.[1] In 1946 her only child, Benedikt Johann Percy Gründgens, was born. Four years later after her divorce from Gründgens, Hoppe had a great success as Blanche Dubois in Tennessee Williams's A Streetcar Named Desire, and increasingly played avant-garde roles, written by authors such as Heiner Muller (Quartett, 1994) and Thomas Bernhard, who became her partner in private life as well. She became a favourite of the young and iconoclastic directors Claus Peymann, Robert Wilson and Frank Castorf. Hoppe died in Siegsdorf, Bavaria, in 2002 from natural causes, aged 93. "German theater has lost its queen", said Claus Peymann of the Berliner Ensemble, whose theatre featured Hoppe's last performance, in Bertolt Brecht's Resistible Rise of Arturo Ui, in December 1997.[2] In one of her last interviews Hoppe stated, "I have a go at happiness every day. That takes discipline, a virtue every halfway decent actor should have."

Department: Acting

Place of Birth: Rostock, Germany

Adult: No

Birthday: April 26, 1909

Age: 116 years old

Gender: Female

Deathday: October 23, 2002

Popularity:

1.00%

Known For:

Wrong Move
Ten Little Indians
Treasure of Silver Lake
Das verlorene Gesicht
Hitler's Hollywood
The Strange Countess
Romance in a Minor Key
The Queen – Marianne Hoppe
The Rider on the White Horse
13 Little Donkeys and the Sun Court
Goodbye, Franziska
Love in Stunt Flying
Conquerors of Arkansas
The Sovereign
Nur eine Nacht
Schloß Königswald
Black Fighter Johanna
The Judas of Tyrol
Heideschulmeister Uwe Karsten
Anschlag auf Schweda
Die Werft zum Grauen Hecht
Kongo-Express
Alles hört auf mein Kommando
Die Mission
Der Schritt vom Wege
Ich brauche Dich
Schicksal aus zweiter Hand
Stimme des Herzens
Der Tod kam als Freund
Oberwachtmeister Schwenke
Gabriele eins, zwei, drei
Das Leben geht weiter
Der Walzer der Toreros
Eine Frau ohne Bedeutung
Trouble with Jolanthe
Der Mann meines Lebens
Heiratskandidaten
When the Cock Crows
Im Hause des Kommerzienrates
Das Leben des Horace A.W. Tabor - Ein Stück aus den Tagen der letzten Könige
Der Richter
Bei Thea
Heldenplatz
Andere Zeiten - andere Sitten
Marianne and Sophie
Rose Bernd
Tag für Tag
Briefe nach Luzern
König Ödipus
Harlekinade
König Richard II
Francesca
A Winter's Tale
Er-Götz-liches
Die Teilnahme
Die Baronin - Fontane machte sie unsterblich